1997年过去了,我怀念的,是……

资讯 2024-06-17 阅读:91 评论:0
好梦一日游,散装无限流。豪华剧本杀,肉身元宇宙。? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?——《甲方乙方》重温考古演员、副导演、道具师、编剧,合作开办了一项业务【好梦一日游】,利用片场的物料资...
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好梦一日游,散装无限流。

豪华剧本杀,肉身元宇宙。

? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?——《甲方乙方》重温考古


演员、副导演、道具师、编剧,合作开办了一项业务【好梦一日游】,利用片场的物料资源,根据顾客自己的心愿制造一个相应的环境,过一把梦想成真的瘾,仅限一日。整部电影,就是由六单业务串联组成。

Actors, co-directors, props, writers, and screenwriters work together to open a business, using the material resources of the studio, to create an environment that allows a dream to become a real addict for only one day, according to the customer’s own will. The whole film is made up of six lines of business.

于是我们在一部生活喜剧里,看到了巴顿将军、美国大兵、吉普;清朝的京剧角儿、官员、狱卒、牢房刑具;民国年代的地主、长工;中东的公主;偏远的贫下农村。喜剧里时常突出的错位与荒诞,都成了《甲方乙方》的先天优势。指着南京地图打德国的美军参谋室;操着中原礼仪的中东王室;身着清朝官服的葛优,被花盆砸晕后神志不清地说道“快,快去救列宁,布哈林是叛徒。”……这些乱入的场面,莫说1997年,对于今天的观众都十分有趣。

So, in a comedy of life, we saw General Patton, American soldiers, jeeps, Qing Dynasty Kings, officials, prison guards, cell blocks, landlords, long-term workers of the Chinese era, princesses of the Middle East, and poor and remote villages. The frequent misallocations and absurdities in comedys became the birthright of the Ace B. The United States Staff Room, which hit Germany on the map of Nanjing; the Middle East King's House, which was performing Chinese rituals; and the grace of the Qing Dynasty, which was knocked out by a flowerpot and said, “As soon as you go, save Lenin, Boharin is a traitor.”... These scenes, let's say, were very interesting for today's audience in 1997.

《甲方乙方》的前提设定,其实有点像是《侏罗纪公园》原著作者迈克尔.`克莱顿在1973年编剧导演的科幻电影《西部世界》,某企业开设了一家西部主题的大型公园,里边都是机器人,消费者可以在其中体验西部时代的烧杀抢掠,2015年由HBO翻拍为热门美剧。《甲方乙方》的【好梦一日游】,则同样可以视为一家提供DIY主题小公园业务的公司。

The premise of A-B is that it's kind of like Michael Clayton, the original author of Jurassic Park, who wrote the science fiction film West World in 1973, where a company runs a large park with a Western theme, with robots in it, where consumers can experience the burning and looting of the Western era, with HBO turning in 2015 as a popular beauty show.

科幻世界观与市民生活喜剧,看似风马牛不相及的,却有异曲同工之妙。本土影视作品中与各式幻想元素设定的嫁接糅合,时常容易产生出的怪诞违和感,在《甲方乙方》里就恰恰成了观感的出彩之处。

The science-fiction world view and the citizen’s comedy seem to be out of touch, but it's all about the same thing. Local cinematography, which coincides with the marriage set by various fantasy elements, often gives rise to a strange sense of discomfort.

而由于【好梦一日游】打造的主题小公园是临时性的、穷人版的、私人定制款的,如果以一单业务为单元,转化为剧集,再加入《名侦探柯南》半年能破上千起案子的时间设定,那么《甲方乙方》其实可以变成一个无限流的故事。

And since the theme park created by Good Dream Day is ad hoc, pro-poor, private custom-made, if one business unit is turned into a play set, and Detective Conan is added to the six-month time frame for thousands of cases, then A-B could actually turn into an endless story.

从科幻的角度,以时代的概念去看待《甲方乙方》的前提设定,这种用土法炼钢的方法,为消费者提供仿真环境的虚拟体验,用今时今日的亚文化话术翻译意翻译,《甲方乙方》这部电影,似乎可以称之为《人类早期开发元宇宙的珍贵录像》……

From the point of view of science fiction, the concept of the time assumes that this earth-based method of making steel provides consumers with a virtual experience of imitation of the environment, translating it using today's sub-cultural vocabulary, and the film A-B seems to be called strang > The precious video of the early development of the meta-cosm by humankind .


六位肉身走进“元宇宙”的客户,各自体验可分为【自我定位校准】、【安慰剂】和【给凡尔赛人士的教训】,并存在着一定的递进关系。

The six clients who walk into the meta-cosmos each experience can be divided into [self-positioning calibrations], [placebos] and [lessons learned for Versailles], and there is a certain evolutionary relationship.

英达扮演的卖书人,出场时被顾客要求拿一本《太平天国》,接着在【好梦一日游】中化身巴顿将军,过了一回沙场点兵的瘾,然而时间一到,就被扒下了衣服回归平民。

Indha, a book seller, was asked by his customers to take a copy of the " Eternal Land ", and then became General Patton in a " Good Dream Day ", after an addiction to soldiers in the field, but when the time came, he was taken off his clothes and returned to the civilian population.

全片第一单业务,经由物理上的反差,来强调对平凡的认知,同时也满足了在平凡日常中过把瘾的安慰剂效应。

The first operation of the film, through physical contrasts, emphasizes the perception of ordinary people and also meets the placebo effect of being addicted in ordinary day-to-day life.


李琦扮演的厨子,希望做个守口如瓶,意志坚定的硬汉,结果一句【打死我也不说】,成了经典的黑色幽默,也让他意识到自己做不成英雄。这是从内心上获得了自我定位的清醒认知,并坦然接受。

Li Qi played as a cook, hoping to be a silent, determined, hard-headed man, with the result that he became a classic black humor that made him realize that he could not be a hero. It was a sobering sense of self-determination from the heart, and it was accepted.


傅彪扮演的丈夫,习惯了妻子的逆来顺受,以为受欺负很爽,刻意找虐之后明白了妻子的委屈;通过物理上的换位,实现了共情与反省,丈夫幡然悔悟,开始善待妻子。

Fu Piao's husband, who became accustomed to his wife's recriminations, thought that he was being bullied, and then became aware of his wife's faults. He changed his position in a physical way, and he became sympathetic and reflective, and his husband repented and began to be kind to his wife.

这个单元的地主主题地图中,葛优抖着眉毛捏着腔调说道【地主家也没有余粮啊】,成为了一句长盛不衰的经典台词与表情包。时代的发展,经济的周期,则赋予了这句台词以典中典般的生命力,电影之外,【地主家也没有余粮】的现象以各有花样却也大同小异的形式,发生在现实大众的遭遇中。

In the thematic map of the owner of this unit, Goe has swayed his eyebrows and said, "There is no shortage of food for the owner" and has become a long-standing classic phrase and emoticons. The economic cycle of the times has given the hymn of life to this hymn. Beyond the film, the phenomenon of [the owner's lack of food] has taken a variety of different forms, and has occurred in the face of the real population.

在甲方的“地主式压迫”下,乙方,一个普通小市民认识到,要善待自己的风雨同路人,不该作为家庭内部的压迫者,居高临下地使唤、欺负对方。这则小故事,在岁月的加持下,恐怕能食用到一些主创当初没有想过的别样回味。

Under the “landowner type” of oppression on the first side, B., an ordinary citizen, realizes that being nice to his own people is not supposed to be the oppressor within the family, pushing and bullying each other. This is a small story that, under the weight of years, is likely to feed on something else that was not originally thought of by the master.


付彪扮演这位相对平民的凡尔赛人士之后,《甲方乙方》接下来开展了两单更为周正的凡尔赛业务。

Having played the role of a Versailles relative to the civilian population, A.B. was followed by two more elaborate Versailles operations.

叶京扮演的富商,吃惯了山珍海味去农村受苦,结果饿到吃光了全村的鸡。这个单元的故事,显然会令如今的许多观众在心中默念出几串身份证号,在高能爆笑之余,亦报以撒贝宁企业级憋笑的表情。

The story of Yeking, a rich businessman who used to eat the mountain and sea and suffer in the countryside, starved to eat all the chickens in the village. The story of this unit will clearly lead many viewers today to enumerate several identification numbers in their hearts, to laugh in the back of their energy, and to laugh at the Beninese business level.


徐帆扮演的女明星唐丽君,觉得追星的压力难以忍受,想做回普通人,在【好梦一日游】安排的发布会上,假装宣布息影,然而名气热度从此不复,在业内真的凉了。面对甲方想要重新出名的请求,乙方给出的解决办法,是故意告他们侵权,把新闻炒起来,并愿意自出诉讼费。将来将为大众所熟知的一系列操作,《甲方乙方》里来了一次小小的预演。

Xu Xu's starring star, Don Lijun, felt that the pressure to follow the stars was unbearable, wanted to be ordinary people, pretended to announce a shadow at the launch scheduled for the Good Dream Day, but the temperature of fame never came back, and was really cold in the business. In the face of A's request to be famous again, B's solution was to sue them for abuse, to fire news, and to be willing to pay the costs of litigation. A small preview of the operation, which will be known to the public, will come in the future.

(弄假成真的息影发布会上,面对记者提问唐丽君是否会和汤姆克鲁斯结婚,姚远超前地回了一句:无可奉告……)


两位成功人士的凡尔赛行为艺术期间,穿插出现了刘震云扮演的单身汉,因自身条件问题,屡次被甩,找不到对象,遂轻生。于是【好梦一日游】塑造了一名“中东公主”与其约会,让这个绝望的男人靠着对公主产生的相思病,有一个活下去的盼头。

During the Versailles action art of the two successful individuals, Liu Zhenun was presented as a single man, who, owing to his own condition, was repeatedly dumped and unable to find a target. So [a good night trip] shaped a “Middle East Princess” to date him, giving this desperate man a vision of his princess and a vision of his life.

片中台词直言,这就是给垂死病人的一针吗啡,点明了安慰剂效应。当现实中的青年单身问题,逐渐演变得激烈的过程中,形形色色的【安慰剂】也纷纷粉墨登场……

To put it straight, it's a shot of morphine for dying patients that points to the placebo effect. When the problem of young people's singleness is becoming more intense, there are a lot of different kinds of powders coming in. /span >

而再强的安慰剂,终究还是安慰剂,并且会有免疫的一天,于是后来,越来越多的青年们,给自己开出了一剂BUG级的药方——【躺平】。

And the stronger placebo is, in the end, a placebo, and there will be a day of immunization, and then more and more young people give themselves a bottle of BUG-grade medicine -- [Breathing flat].


六位客户,两位平民的【自我定位校准】,三场【给凡尔赛人士的教训】,一针给予边缘孤独者的【安慰剂】。花样古怪的各个【一日好梦】背后,有的从梦中被强制叫停唤醒,有的顺滑地做梦醒来回归现实,有的被梦中的刺痛所惊醒,有的靠着梦活了下去,有的在梦中被剥去了伪装,有的醒了但只能一直留在梦中。

Six clients, two civilians, [self-positioning calibrations], three games, [Leader to Versailles], one shot to the marginalized and lonely. Behind the eccentric dreams, some are forced to wake up from their dreams, others wake up to reality, others wake up from their sleep stings, some live on their dreams, some are taken away from their faces, some wake up from their dreams, but they can only stay in their dreams.


所以尽管《甲方乙方》的结构较为松散,类似单元章节拼接,有点像段子电影,但前提设定让影片产生了非常独特的混搭风格,甚至还有一点点Cult片的味道。

So, while the structure of A-B is looser, similar to the clustering of sections and a little bit like a film, the premise is that the film has a very unique mix style and even a little bit of the curt.

涵盖寻常百姓,商界,娱乐圈的【好梦一日游】业务开展,有意无意地,聚焦、解构、推演、模拟了一些正在萌芽,即将发生的事情。几位消费者所进行的梦游,所体验的情景,所展现的臆想,软弱,迷茫、骄纵、虚伪、焦虑……都或多或少地,能令观者当时欢笑逗乐,再看可能已是片中人。

The business of ordinary people, the business world, the entertainment world [the day of good dreams] is conducted, deliberately and unwittingly, by focusing, deconstructing, developing, and simulating something that is emerging and is about to happen. The sleepwalks, the scenes that consumers experience, the illusions that they display, the weakness, the obscurity, the hypocrisy, the anxiety that can make viewers laugh and laugh at the moment, and then look at them as people.

至于后来慕名而来的考古者,面对这部上世纪末的虎年贺岁片,观后感大概会类似于新世纪第二个虎年春节之后,再聆听范志毅的足球圣经。

As for the archaeologists who came later, in the face of the late last century's Tiger Year felicitations, the sense of retrospect is likely to be similar to the second Tiger Spring Festival of the new century before listening to the soccer Bible of the Fan Xing Yi.


唯一的圆梦,喜剧的忧伤

串联各个业务单元之间的主角感情线,和《大腕》中的精神病人独白一起,被津津乐道为超前的预言。姚远以房子为理由求婚,北雁打趣“没有爱情的婚姻是不幸福的”,姚远回以“没有房子的婚姻才是不幸福的”……,众所周知,这段对话,击中了芸芸众生的心窝与膝盖。

The line of affection between the protagonists of the business units, along with the monologue of the mentally ill in Big wrists, has been used as a premonition. Yao has proposed for the house, and the geese have made fun of , , , , , and Yao has returned to , , , which, as we all know, has hit the hearts and knees of all human beings.


接完六单的荒诞业务之后,姚远和北雁也走到了一起,在医院婚检的时候遇见了杨立新扮演的技术员,长年分居的妻子身患绝症命不久矣。这一次【好梦一日游】主动提出了服务,姚远和北雁将自己的婚房借给技术员,实现夫妻团圆梦,让他们在临终前拥有一个自己的家,最终技术员的妻子安详离世。

After six absurd operations, Yao Wan and the North Goose came together and met Yang's new performer during the hospital marriage examination, whose long-separated wife was dying of terminal illness. This time, Yao Wan and the North Goose offered to lend their matrimonial home to the technicians, so that they could have their own home before the end of the day, and eventually the wife of the technicians would die in peace.

从作用上,这次主动免费提供的【梦游】,可归为安慰剂效应,但给予的是更富有人情味的临终关怀。这也是全片唯一真正实现的梦想,荒诞幽默的造梦业务,在连篇嬉闹之后,以一个关于生死的沉重故事收尾,让影片的质心悄然又回到实地。

As a result, this free-of-charge [neighborhood] initiative can be categorized as a placebo effect, but with a more human end-of-life care. It is also the only real dream that has been realized, the ridiculously funny dream business that ends up with a big story of life and death, and the film’s heart is back on the ground.


正如大多数优秀的喜剧片一样,《甲方乙方》隐藏着忧伤的内核,电影尾声,【好梦一日游】业务组在大年夜相聚,把酒言欢。醉醺醺的四人回顾着业务,面对亏不转盈的经营问题,也只能借着酒话以“慈善机构”“群众是多需要咱们”来安慰自己。

As with most excellent comedy films, A-B hides the heart of grief, the end of the film, and the business group, Good Dream Day, meet at night and drink. The four people who are drunk look back at their business and, in the face of business problems, can only comfort themselves with the words of strong and /strong >, and the crowd needs us so much .

姚远一边惦记着自己借出去的房会不会要不回来,一边上头地地感慨——“就当是成全了别人,陶冶了自己”。【好梦一日游】,何尝不是他们自己的一个梦想,但这样的结果,算不算成真,也说不清楚。

Yao was wondering if the room he had borrowed would not come back, and he felt -- “The strong” as if it were someone else and pottery himself” --


最后一场戏,半醉半醒,闹中有静,伤感、欢笑,热闹,迷茫,牢骚,惆怅,五味杂陈。《甲方乙方》迎来结局,技术员前来告知妻子无憾而逝,交还房子钥匙后离开,背景响起葛优的旁白:

The last scene, half-drinked, was quiet, sad, laughter, cynicism, obscurity, whirlwind, whirlwind, vibe. The end came, the technicians came to tell his wife that she had died without regret, returned the keys to the house and left, and the background sounded good:

“那天我们都喝醉了,也都哭了,互相说了许多肝胆相照的话,真是难忘的一夜。”

"We were drunk that day, we cried, we said many things about each other, and it was an unforgettable night."

“几天后,我和北雁正式举行了婚礼,她父母单独找我谈了一次话,问我是不是隐瞒了年龄。我跟老人家说,我从一生出来就显得比别的孩子老。”——(如果扮演北雁父亲的是姜文的话,或许可以来上一句:这甜蜜的是八岁?)

"A few days later, I was officially married to the North Goose, and her parents spoke to me alone and asked if I was hiding my age. I told the old man that I'd been older than other children since I was born." — (If it was Kang Man who played the North Goose father, perhaps the previous sentence: is this sweet eight years old?)

“1997年过去了,我很怀念它。”

> < 1997 passed and I miss it. >

一本正经的嗓音语气,伤感与调侃并存的台词行文,闲话间又突然一收,一句“1997年过去了,我很怀念它”,恍然涌起千帆过尽,悲喜交加的沧桑,几乎是令观者难忘,闻者慨叹,众人皆赞。画面中,技术员独自站在远景的风雪中,中近景是挂着红灯笼的空走廊,冷暖色调对比的空间纵深,恍如时光荏苒,隔世前尘,为这部贺岁喜剧片的定格,蒙上了一层历史感。

A decent voice, a tone of sadness and tone, and a sudden drop of gossip, and a phrase from “I miss it after 1997,” , , < /strong >, < < /strong >, < >, < >, >, < >, >, < >, < > >, > >, > >, >, >, > >, > >, > >, >...............................................................................................................................................................................


2022年的虎年春晚舞台上,一句捎上元宇宙的台词,便能拉起带货流量。

In 2022, on the spring and evening stage, a line with the Won cosmos would lift up the cargo flow.

两轮地支以前的贺年贺岁片中,四个影视行业的边缘人,用草台班子的物料,搭建了一个虚拟现实的用户平台;在那个手机、微机、智能机、互联网、大数据都没有走进日常的年代,整活了一个硬核散装叠加态的元宇宙端口,对这个亦新亦陈旧的概念,可能应用的功能,做了一场无心插柳的小型演示。

Of the two rounds of the previous heated films, four marginalized people from the film industry built a virtual reality user platform using grass-top material; in the age of the mobile phone, microcomputers, smart machines, the Internet and big data, a hard-core, stacked meta-cosm port was created, a new and old concept that could be used, and a small demonstration of the unintentional plug-in function was made.

一部喜剧电影,怎么就成了一部近未来科幻片了呢?此时就想念两句诗:迷影好梦一日游,出画竟似烂柯人。

Why is a comedy movie becoming a science fiction film of the near future? At this point, we miss two poems: a movie about dreams that travels day after day, and the drawings look like shit.

1996年,冯小刚和王朔合作的《狼狽不堪的日子》被毙(后来改为《一声叹息》上映),正值低谷失意期,尝试为贺岁档量身定制的《甲方乙方》,也为影片的前景提心吊胆,直到电影成功,方才走通一条道路,开辟了冯氏贺岁片的院线风景。

In 1996, Von Xiaogang and Wang Sho's "Long Day" were killed (subsequently changed to "Sighings" ), in the middle of a slumber of disappointment, trying to make a special selection of "Bed A" for his birthday, and he was also afraid of the future of the film, until the film was successful, it was not possible to follow a path and open the courtyard scene of the Fung's Day.


《甲方乙方》国内上映的5天前,《泰坦尼克号》从北美开画起航,开启了对全球票房纪录长达22年的统治,一曲有关欧洲工业文明最后辉煌的挽歌,鸣响了好莱坞电影在90年代鼎盛于世界的汽笛。也是在这个1997年,既是科幻片,又是喜剧片的《黑衣人》登陆大银幕,展现了一个遍布外星移民的灯塔版地球;当故事剧情叙述完毕,影片拉起了一个超级尺度的长镜头,地球、太阳系、拥有数千亿颗恒星的整个银河系,只不过是高维生物的一颗小弹珠……尽显碳基智人之渺小。

Five days before the domestic launch of A.B., the Titanic began its work in North America, opening up a 22-year-old global ticket house record, with a song about the final glory of European industrial civilization, resounding the Hollywood film, which flourished in the world in the 1990s. It was also in 1997, when "The Black Man", both a science fiction film and a comedy film, landed on the silver screen, presenting a lighthouse of alien immigrants; when the storyline was finished, the film drew a super-scale long shot of the planet, the solar system, the entire galaxy of hundreds of billions of stars, and was nothing more than a small marble of a high-vicious creature
>.


飞向浩瀚恢弘的星辰大海,遁入无限幻梦的元宇宙,人类未来的两个终极去向,在1997年的两部喜剧电影之中,各自戏谑,各表一枝,古早的设想,意外的辉映。两者的属性也都可以理论理论,究竟是包在蓝药丸里的红药丸,还是包在红药丸里的蓝药丸……

To the sea of stars and stars, to the universe of infinite illusions, to the two ultimates of the future of mankind, in the two comedy films of 1997, each played, one by one, one by one, by one, by an early vision, by accident. The attributes of both can also be theoretical, whether the red pill is wrapped in the blue pill or the blue pill is wrapped in the red pill.

25年过去了,姚远-葛优汤以师爷的分身随着《让子弹飞》大浪淘沙,一部亦有10余年历史的旧作,在时代的行程中飞升为后生们喊着要申遗的非物质文化宝藏;梁子-何冰携宋提刑之美誉,盛情并茂地朗读着《后浪》;探员J-威尔.史密斯在奥斯卡颁奖典礼上一个大嘴巴子,扇出了收视率高峰,扇红了八卦热点……

Twenty-five years later, Yao-Yin-Gyo-Tung's brother-in-law followed " Let Bullets Fly", an old work of more than a decade's history that rose to the age's journey as a non-material cultural treasure to be claimed by the younger generations; Liangzi-Ho, with the reputation of Song and punishment, was kind enough to read after the waves; and Agent J-Wil Smith, in an Oscar award ceremony, had a big mouth, fanned the ratings peak, slammed the hotspots...

“1997年过去了,我很怀念它。”——当我们怀念这句台词的时候,是在怀念什么?说不清道不明的心绪如酒盈樽,杯子碰到一起,响起的都是些什么声音?医学进步了,但癌症依然没有被攻克。科技进步了,不过一键清除记忆的闪光笔还没有被发明出来,可似乎又是有什么被遗忘了。

> “In 1997, I miss it.” > — when we miss this line, what is it that we miss?

多年以后,或为甲方,或为乙方,天各一方的你我,是否会想起钱康-冯小刚喝高了的那个年夜,借着酒劲说道着,“咱们就是一伙只爱真理不爱钱的人呐,难能可贵,那说谁呢那是?……

After many years, for A, for B, for all of us, will we remember the night that Chankang-Von Xiaogang drank too much, saying with alcohol, strong < < we're just a bunch of people who love the truth and don't love the money. > > < < /slang > >


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